As we close out 2016, it’s time to look ahead to 2017 and the upcoming manufacturing trends that will influence how we do business in the New Year. With rapidly changing technology, it’s difficult to know exactly what’s coming next, but we can definitely make some predictions.
Over the past year, I have interviewed many customers across a variety of manufacturing industries to learn more about their industry concerns, the design and manufacturing challenges they face, and the technologies that excite them. As I look into my crystal ball for 2017, here are some manufacturing and business trends to follow over the next 12-18 months.
When judging color, background can be a major distraction for the human eye. In fact, surrounding colors and patterns can actually change the perception of the color you’re trying to focus on.
One of the wonderful things about color measurement instruments like colorimeters and spectrophotometers is that they can’t be distracted. They aren’t susceptible to variables such as fatigue, age or color vision deficiency. They aren’t even aware that a surround exists – they only measure the reflected light from the targeted sample area through a system of lenses called an aperture.
If your job involves specifying, communicating, evaluating, or approving color, you need to consider aperture size in the color measurement process. Today we’ll review why that’s important and share tips to help you make the right choice for your color measurement applications.
Inter-instrument agreement is a very important consideration when selecting color measurement devices for your workflow. Unfortunately, it’s such a technical topic that it leads to a lot of confusion about what it means and why it’s important.
The new Ci7860 is the most precise benchtop on the market with a published average inter-instrument agreement of 0.06 ΔE*ab. Do you know what that means?
Today we’re making it as simple as possible. Read on to learn what inter-instrument agreement means, how it’s different from other terms like inter-modal agreement and repeatability, and why it’s something you really need to consider for your color workflow.
Passionate about color? We are too.
As a company that prides itself on its color knowledge and enthusiasm, X-Rite Pantone is excited about the various ways ArtPrize showcases the power of color.
Each fall, ArtPrize installs over 1000 works of art in downtown Grand Rapids, attracting thousands of visitors. By using consistent colors in its guides, signs, banners, flags, and merchandise, ArtPrize creates a colorful map that helps both visitors and locals see the city through a different perspective.
For most companies, this color consistency doesn’t come easily. Whether you’re color activating the most attended art event in the world, printing labels for a major brand, or mixing plastic pellets to manufacture a toy car, inconsistent color can cause consumers to question quality and can affect brand integrity.
Today we’ll look at why background and substrate color matters, and how ArtPrize successfully managed this variable in production.
No matter what you’re manufacturing, taking spectral measurements will help ensure your color remains accurate and consistent throughout your production run. When choosing the best spectro for your needs, your first consideration should be the type of surface you’ll be measuring.
Measuring reflective surfaces poses a challenge because the effect of gloss can actually change the color appearance of a sample. The surface reflection of light is what causes the gloss effect. Since a 0°/45° spectrophotometer doesn’t include gloss in the measurement, it can’t provide a true representation of how the human eye will perceive the color.
So how can you measure reflective or shiny surfaces? Today we’ll take a closer look at how to use an 8° diffuse sphere instrument to measure both spectral included (SPIN) and spectral excluded (SPEX).
Measuring a shiny plastic part with the Ci7800 benchtop sphere instrument.