Don’t throw away your leftover inks… Reuse them!

As brand owners compete to make packaging stand out, printers are charged with achieving accurate color – on unique substrates – with shorter print runs. Many spend a lot of time mixing ink, then end up throwing it away when the color isn’t right.

If you’re stuck in this cycle, you’re essentially paying for ink twice – once when you buy it, and once again to dispose of it. What are the economics behind this waste? What’s the impact on our earth?

Today we’re demonstrating how the InkFormulation Software’s Leftover Management feature can help you reduce inventory and waste and lower your disposal costs.

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Tips for Defining a Realistic Pass/Fail Tolerance

Did you read our blog: Are You Using The Right Tolerancing Method? If not, check it out. Today we’re taking the topic one step further to investigate how tolerances are chosen in different industries.

A pass-fail tolerance is the amount of color variation that is considered commercially acceptable. In part, tolerances are driven by customer expectations. While color tolerances are very tight in the automotive, plastics, and paint & coatings worlds, they can be much less strict in other industries.

car door color matching

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Brand Color Lessons from an FMCG Company

What happens when you have more than 2,000 brand colors to manage across a complex global packaging supply chain? Things get complicated!

Brand Color on Shelf

Although it may seem easier to create a new color than to dig through databases or binders of color drawdowns to find the closest match, the problem comes later when you’re faced with a huge, unmanageable library.

One of our clients, a well-known fast-moving consumer packaged goods (FMCG) company, understands how easily things can get out of control. They were not only battling time and cost inefficiencies by using a proprietary color library, they lacked standardization for creating, communicating and managing brand colors.

Production was expensive and quality was suffering. They knew things had to change, but they didn’t know where to start. That’s where we came in.

Today we’re sharing their incredible success story.

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Why your Color Might be Wrong on Press: Environment

In a perfect world, you should be able to put ink in the press and simply run a job. Unfortunately, every year flexo and gravure printing operations waste ink, substrate and press time trying to get color right. Although advancements in technology have made it easier to achieve color accuracy, the variables that affect color still exist.

In this three-part series, we’re sharing over two dozen reasons your color might be wrong on press. We’ve already covered two important factors – Instrumentation and Standards & Ink. Today we’re looking at how the environment and your press can affect final color.

press sheets on printer

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Looking for accurate color? Meet our i1 Family!

With today’s complex cross-media campaigns, accurate profiling is even more important for managing customer expectations across the color supply chain. Our i1Pro 2 solutions help photographers, videographers, prepress and digital printers create profiles for the best color on monitors, scanners, projectors, printers, and online web-to-print submission tools.

But with so many to choose from, how do you know which is the right tool for your color workflow?

Whether you’re looking to add a new component to your existing workflow or ready to convert to a complete i1 solution, today’s blog can help. We’ll explain the different components of a color-managed workflow, why each is important, and the i1 solutions that can help at each stage.

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Lessons packaging designers can learn by dyeing eggs

It’s been said that everything you need to know you learned in kindergarten. Does this phrase ring true for print and packaging designers?

In the spirit of spring, we attempted to use a simple childhood activity—dyeing eggs—to solve some of the most perplexing color issues facing the packaging designer/printer relationship.

dyeing eggs

Here are three lessons to learn about color in packaging from our annual egg dyeing ritual.

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Why your Color Might be Wrong on Press: Standards & Ink

In a perfect world, you should be able to put ink in the press and simply run a job. Unfortunately, every year flexo and gravure printing operations waste ink, substrate and press time trying to get color right. Although advancements in technology have made it easier to achieve color accuracy, the variables that affect color still exist.

In this three-part series, we’re sharing over two dozen reasons your color might be wrong on press. If you missed the first article – Instrumentation – check it out first.

Today we’re looking at how your standards and ink can affect final color.

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To Innovate Better: Get Surreal

Have you seen the Academy Award-Winning La La Land, where the stars dance through the cosmos and experience alternate realities? Or the commercial, where a famous freestyle dancer slides down the street, up the walls, over the marquee and beyond, transported by his next-gen earphones? Maybe you’ve seen this Russian packaging that superimposes conflicting scales.

Surrealism is bleeding into our reality, and I kind of think it’s a zeitgeist.

Simply defined, surrealism strives to reconcile our dreams with reality. As Victor Hugo penned, “Each man should frame life so that at some future hour fact and his dreaming meet.”

The resolution of such wildly divergent polarities is quite an ambitious undertaking, no? Therein lies the power, as Carl Jung wrote: “The greater the contrast, the greater the potential. Great energy only comes from a correspondingly great tension of opposites.”

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Why your Color Might be Wrong on Press: Instrumentation

In a perfect world, you should be able to put ink in the press, run a job, and achieve color consistency. Unfortunately, every year flexographic and gravure printing operations waste ink, substrate, and press time trying to get color right.

Although advancements in technology have made it easier to achieve color accuracy, the variables that affect color still exist. In this three part series we’ll share over two dozen reasons your color might be wrong at press side. Today’s topic looks at issues that can affect your color measurement instrument and substrates.

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