With today’s complex cross-media campaigns, accurate profiling is even more important for managing customer expectations across the color supply chain. Our i1Pro 2 solutions help photographers, videographers, prepress and digital printers create profiles for the best color on monitors, scanners, projectors, printers, and online web-to-print submission tools.
But with so many to choose from, how do you know which is the right tool for your color workflow?
Whether you’re looking to add a new component to your existing workflow or ready to convert to a complete i1 solution, today’s blog can help. We’ll explain the different components of a color-managed workflow, why each is important, and the i1 solutions that can help at each stage.
In a perfect world, you should be able to put ink in the press, run a job, and achieve color consistency. Unfortunately, every year flexographic and gravure printing operations waste ink, substrate, and press time trying to get color right.
Although advancements in technology have made it easier to achieve color accuracy, the variables that affect color still exist. In this three part series we’ll share over two dozen reasons your color might be wrong at press side. Today’s topic looks at issues that can affect your color measurement instrument and substrates.
You say color is important, but do you know why it’s so important? In reality, color is a critical element in the manufacturing process. Unfortunately, many manufacturers are realizing that getting color right is much harder than it used to be, and the brands they support are asking them to meet tighter tolerances.
While advances in color technology – think metallic packaging, pearlescent finishes, custom fabrics and vibrant new colors – entice customers, they also make it much more difficult to achieve consistency.
If you’re a commercial printer who wants to improve color quality and consistency, this blog is for you.
Ray Cheydleur is a printing industry veteran of more than 20 years, a standards guru, and our Portfolio Manager for Printing and Imaging Products. Passionate and very knowledgeable about color, he has a talent for helping printers improve their color quality and consistency.
Today he’s sharing five critical steps in a color-managed workflow to help you create an efficient printing operation, a repeatable final product, and satisfied brand owners.
Inter-instrument agreement is a very important consideration when selecting color measurement devices for your workflow. Unfortunately, it’s such a technical topic that it leads to a lot of confusion about what it means and why it’s important.
The new Ci7860 is the most precise benchtop on the market with a published average inter-instrument agreement of 0.06 ΔE*ab. Do you know what that means?
Today we’re making it as simple as possible. Read on to learn what inter-instrument agreement means, how it’s different from other terms like inter-modal agreement and repeatability, and why it’s something you really need to consider for your color workflow.
Softproofing – the ability to simulate how an image will appear in print right from your monitor – can save a lot of time and effort in your printing workflow. Although many photographers already rely on it, anyone who designs, approves, prepares or prints brand and color-critical images can also benefit.
A typical color workflow includes a lot of editing, proofing, rework, and approvals. Even then, what comes off the printer is often a disappointment. If you’re working from a monitor that is displaying the wrong color, it’s impossible to make good design and editing decisions.
With softproofing, designers can create with actual specified colors (no more trial and error!), project owners can approve layouts without physical proofs (predictable color!), and printers know exactly what’s expected of them when they receive a job (no surprises!).
Today we’ll explain how to set up softproofing…
- Ensure your monitor can produce accurate colors,
- Calibrate to optimized settings,
- Create an ICC profile, and
- Convert the display so all of your applications are using the profile
…Plus share tips to help you get the most from your calibrated and profiled display.
We’ve all done it. Snapped a picture on a digital camera or smart phone, sent it to the computer, made a few adjustments, then sent it off to print…. only to be disappointed.
The sky looks green. Grandma’s hair is purple. The contrast is so far off you can’t even see that cute little puppy. Stupid camera.
The struggle is real for so many people, from hobbyist to professional photographers, graphic designers, and professional printers. Let’s look into this all-too-common mystery of the off-color print.
In a perfect world, you should be able to put ink in the press and run a job. Unfortunately, there are so many variables that affect color that printing operations often waste thousands of pounds of substrate, and thousands of dollars in press time, making adjustments.
Advancements in technology have made it easier to measure color, but the variables still exist. To help you over come them, we’ll be featuring a series that points out many of the reasons your color could go wrong at press side.
We’ll start with five tips for using your spectro.
For the most part, today’s color measurement instruments are 100% digital. In fact, there are very few analog components inside, except for the light bulbs. Although they’re more stable than their analog predecessors, their tolerances are much narrower, and they need regular calibration to stay within these tight specs.